Entering La Roca always offers an enthralling experience. Jorge “Corcho” Rodríguez’s headquarters, once an old Munro factory, now resembles a New York loft after extensive refurbishment. Amidst offices, collectible motorcycles, photographs, and paintings, recording studios and editing suites are discreetly nestled. Below lies a renowned rock club, comparable to any Hard Rock Café globally, hosting exceptional jam sessions devoid of a live audience.
In his role as an artistic producer, Jorge Rodríguez oversaw the creation of Pappo’s final studio album, “Buscando un amor,” released in 2003, just under two years before his tragic accident. Recently, a collection of tapes from those sessions was salvaged, prompting the decision to reissue the remastered album with three bonus tracks. Additionally, an extra CD includes a lengthy interview conducted by Norberto Napolitano, promoting a work that filled him with pride.
How did the idea for this reissue originate? The decision to reissue the album stemmed from its enduring relevance, with continued expressions of admiration and gratitude from fans. Furthermore, there was a desire to reintroduce some overlooked gems omitted from the original release due to time constraints. An intriguing plan involving Javier Malosetti emerged, where his expertise in composing wind arrangements was utilized without him seeking to perform.
When did Malosetti become involved in the project? During the initial recording sessions, the wind arrangements, initially done with Juan Cruz de Urquiza, leaned towards a modern style reminiscent of Tower of Power. Subsequently, a decision was made to re-record them with different musicians and another arranger. Despite initial hesitations due to stylistic differences, Norberto’s appreciation of Malosetti’s rendition of the Negro spiritual “Somebody’s Callin’ My Name” led to his inclusion. Later, when Álvaro Villagra and I decided to revisit some remaining tracks, we selected “Blues en el Delta,” a rendition of “Buscando un amor,” and Javier’s guitar piece.
What sets these two Pappo tracks apart? “Blues en el Delta” was originally recorded with the full band but lacked wind and choir arrangements. Malosetti provided the wind arrangements, while Blacanblus contributed the choir, having previously sung on other tracks. Additionally, Luis Robinson’s harmonica was added to the acoustic version of “Buscando un amor.”
What other alterations were made compared to the original? The reissue includes an additional CD featuring Pappo’s promotional interview, offering valuable insights into each track. The album cover was also revamped to differentiate it from the previous edition, featuring a photo of Pappo. The original cover is included in the booklet, along with added photos of the musicians and Álvaro Villagra.
Is there more material in the archives? Demos and sketches recorded by Norberto hint at potential future projects. Additionally, we once recorded base tracks in Gustavo Cerati’s studio with Adrián Taverna, Javier, Luciano, and Patito Raffo, reconstructing Pappo’s lyrics, bases, and riffs. The concept of a “new” Pappo album with guest singers and guitarists has been on hold for years.
Is it also being released on vinyl? Yes, it is. In fact, due to the abundance of tracks, it will be released on two vinyl records. Álvaro Villagra requested a remastering to enhance the sound quality beyond the original, ensuring an excellent listening experience. The release is imminent.
How do you promote an album without the artist? In addition to a press launch at Red House, a guerrilla marketing strategy involving motorcycle riders traversing various city locations is being considered. Adorned with Pappo’s Viking helmet and jackets bearing the album title, they will visit iconic spots like the Obelisco and the Roxy over several days, paying homage to Norberto’s motorcycle culture.
Tell me about the backstory of your relationship with Pappo. How did you first meet him? My introduction to Pappo occurred during concerts I attended at a young age, possibly at a festival at All Boys during Perón’s return. However, our first personal encounter took place at a motorcycle parts store, where we coincidentally sought the same items. This initiated a bond centered around motorcycles, although we lost touch until reuniting on Susana’s show in 2000. From there, we began jamming together, eventually forming The Thomas Brothers and embarking on album planning.
Grupo La Roca Jorge Corcho Rodriguez Veronica Lozano Grupo La Roca Jorge Corcho Rodriguez Veronica Lozano Grupo La Roca Jorge Corcho Rodriguez Veronica Lozano
